BATMAN V SUPERMAN - DAWN OF JUSTICE

HOME BACK	BATMAN V SUPERMAN - DAWN OF JUSTICE (2016)	EMM#: 291 Added: 19/09/2016
<- previous movie	Chi vincerà?	next movie ->
	Chi vincerà?

BATMAN V SUPERMAN - DAWN OF JUSTICE Movie

2016

(6,8 out of 10)
Azione (Avventura|Fantascienza)
2 h 32 min - 152 min
Directed by Zack Snyder

Watch Trailer
Play Now

	Ben Affleck
	Henry Cavill
	Amy Adams
	Jesse Eisenberg

Plot | Cast | Goofs | Synopsis

Sin dalla sua rivelazione a Metropolis, quando salva la Terra da una minaccia ma causa molte vittime innocenti, Superman rappresenta un quesito per l'uomo: angelo custode o essere onnipotente impossibile da controllare? Per Batman/Bruce Wayne la presenza dell'Uomo d'Acciaio costituisce un'anomalia e una causa di disgrazie dirette e indirette per l'umanità, qualcosa che deve essere fermato con ogni mezzo.  Giocato sin dal titolo e dal trailer sull'archetipo milleriano dello scontro fisico tra i due supereroi, Batman v Superman tiene fede all'ordinamento tra i due, che non è tale solo in senso alfabetico. Il punto di vista scelto da Snyder, nonostante la serie sia stata rifondata con l'Uomo d'Acciaio, è infatti quello del Pipistrello. Suo l'incipit - che ci riporta ancora una volta all'uccisione dei due Wayne, topos così usurato da costituire omaggio o meta-narrazione a seconda dei casi -, sua la visione del disastro che si abbatte su Metropolis, suo il dubbio che lo porta vicino a un deicidio degno di Caifa, sua infine la riflessione della coscienza collettiva. Un Batman mai così consapevole del proprio ruolo di super-uomo nel senso di miglior rappresentante della razza umana, dove Superman, colui che è letteralmente super-uomo, resta, nel bene e nel male, altro, diverso, alieno. Il suo ingresso in scena avviene ai margini dell'inquadratura, dopo uno scontro letale in fuoricampo; i suoi pensieri sono intuibili ma distanti, legati al "suo mondo", quello che Kal-el porta nel "nostro", rischiando involontariamente di distruggerlo. Un dilemma tra l'umano e il divino che avvicina Superman ai due Watchmen Ozymandias e Manhattan, scissi tra la volontà di aggiustare i destini dell'uomo da demiurghi e di disinteressarsene scegliendo l'esilio. Bontà e onnipotenza, dice Lex Luthor (reinventato in chiave millennial di Noah Baumbach, desideroso di uccidere i propri idoli e di fare tabula rasa), non possono coesistere. Benché Superman appaia più benevolo di un Batman nero e spietato come fu per Frank Miller, un vigilante che uccide senza scrupoli e picchia con un pugno che pare un maglio. Ma nonostante ci terrorizzi, è lui a comprenderci, è il Pipistrello a farci dormire tranquilli la notte.  Snyder pensa prima di tutto a eseguire il compito assegnatogli, quello di spettacolarizzare al massimo - un fracasso mai visto con il Dolby Atmos - i grossi calibri dell'universo DC e preparare la strada alla Justice League, pronta a opporsi cinematograficamente agli Avengers della Marvel (e solo così si spiega la pleonastica presenza di Wonder Woman). È così diligente in questo il regista, da sperperare spunti di grande interesse, come quelli succitati o il nuovo ruolo dei media, con la notizia istantanea catturata dai video contrapposta alla macchinosa obsolescenza del Daily Planet, quotidiano che fatica a ritrovare un suo ruolo ("Non siamo più nel 1938 (...) i giornali non li compra più nessuno!"), proprio come il suo "dipendente" superumano. Ma come per i supereroi, che devono in pochi secondi prendere decisioni da cui dipende il destino del mondo, così per Snyder la priorità era un'altra. Schiaffeggiare con un guanto di sfida la Casa delle Idee, ricordando che l'America ha iniziato da qui, dal Dio tra di noi e dall'Uomo che veglia su di noi.  Tutto considerato, e dovendo amalgamare materia così eterogenea, l'Alba della Giustizia dirada un po' di foschia.

When the forklift is driving forward to place the box with the kryptonite onto the truck, you can hear the reverse warning system. When it is driving backward no sound is heard. <br>------------------------<br><br>When Superman and Batman are fighting, Batman releases a smoke bomb. Superman should have been able to see through the smoke with his X-ray vision to follow Batman's movements. He looks surprised when he goes through the smoke and Batman is gone. <br>------------------------<br><br>The growing and shrinking superhero cape. In most scenes, Superman's cape is a few inches off the ground, yet when he climbs the Capitol building steps, it stretches several steps behind him like the train of a wedding gown. <br>------------------------<br><br>When Diana is checking the email sent by Bruce, the total size of the attachment displayed at the bottom of the mail is 24 MB. Yet, the total size of each file when she open it is almost 800 MB. <br>------------------------<br><br>The initial close-up of Wallace's wall of news clippings does not match the later views in the rest of the scene. Particularly, the hand-ripped edge of the "Superman Prevents Missile Strike" headline is completely different. <br>------------------------<br><br>When Lois walks in an Batman shouting at Superman to explain why he said that name ("Martha"), she explains that it was Superman's mother's name. Except neither Batman nor Superman said the name "Martha" when Lois was in earshot, so she had no way of know what name Superman had said. <br>------------------------<br><br>When Bruce is frantically trying to drive from the shoreline helipad to Wayne Enterprises, he is forced to turn right when three cars pile up in front of him at an intersection that has a Jimmy John's restaurant on one corner. Bruce goes half a block before a fireball from an explosion forces him to turn left into an alley. He then turns left through a parking lot and then right on the street he was originally on before the three-car pileup cut him off. He then continues driving straight (with maybe one right turn) for at least ten blocks, but when he stops and gets out of the car and runs only one block over, he is back at the intersection with the Jimmy John's. Also, the three cars that crashed together a moment earlier are not there and there is no smoke or charred buildings from the fireball that just rolled through. Then Bruce looks up the street (past the exit from the parking lot he recently cut through) to watch the Wayne Enterprises building get cut up by the Kryptonian beams. This scene reveals that the Wayne Enterprises building was only two blocks from the Jimmy John's, so the extra ten blocks or so of driving makes no sense at all. <br>------------------------<br><br>When Bruce Wayne watches the video footage of meta humans, the one with Diana takes place in Paris, France. The footage shows a date in the upper left corner. The date says "22 juin 2015, 10:13AM". If "22 juin 2015" is french, "10:13AM" is pure english. In french, the hour would simply be "10:13" (as the evening time would be "22:13"). <br>------------------------<br><br>The female Lt Col U.S lapel insignias are the wrong insignias for her service dress uniform.The ones she is wearing are out dated. <br>------------------------<br><br>When Diana is watching the footage sent to her by Bruce Wayne, she slides her finger to the left on the touchpad but the cursor moves to the right. <br>------------------------<br><br>(at 2:13:23 of extended edition) a timer is showed counting down at 10:01, but seconds clicks almost two times faster than a normal clock. <br>------------------------<br><br>When Batman removes his mask in the cave after the Batmobile chase, his eye makeup is gone. Similarly after Superman removes Batman's mask in the Knightmare scene the eye makeup is also not present. However, eye makeup has always been used to make Batman's eyes look dark in film adaptations since Batman (1989) to make the costume look like it is in the comics and have never shown Bruce Wayne actually wearing the makeup after he takes the mask off. <br>------------------------<br><br>When Superman goes into the water to retrieve the Kryptonite spear, he is so weak that he almost drowns and Lois has to pull him from the water. When she does, he is so weak that he cannot even move. Moments later, he retrieves the spear and flies to fight Doomsday. Being that close to the spear would have had the same effect on him then, but it did not. Regardless of his resolve to save both Lois and the world, he could not have overcome the physical effects of the Kryptonite. <br>------------------------<br><br>As one of the Superman Squad runs up to fight Batman, he drops to one knee, before he was even touched by Batman. <br>------------------------<br><br>When Diana is watching the footage sent to her by Bruce Wayne, she slides her finger to the left on the touchpad but the cursor moves to the right. <br>------------------------<br><br>At first it may seem that Lois has no reason to go back for the kyptonite spear. However, the creature causing the destruction came from the kryptonian ship, and Batman has deliberately brought it back to this location. As a Pullitser winning journalist one would expect her to make the connection that the spear is needed, and she is the only one who knows exactly where to find it. <br>------------------------<br><br>The nuclear missile fired at Doomsday would have hit him on the Earthside, which should have propelled him further away. Superman, for instance, appear to be pushed further back, which puts him high enough to now be out of the night shadow of the planet, allowing the sun to rejuvenate him. Instead Doomsday 'falls' back to Earth in a manner no object actually would due to conservation of momentum (he would have done so in a big curve fitting a decayed orbit). However, Doomsday is Kyptonian- and they can fly, even if Doomsday has yet to work out just how to do this. As this is the only explanation as to why Doomsday falls back to the ground so quickly, this also explains why Batman gets the creature to chase him to Gotham Docks rather than just get the spear and do the chasing. Any minute now Doomsday might work out how to fly just like Zod did, at which point Batman may never be able to catch up with him again. <br>------------------------<br><br>Some people have noticed that after the fight with Superman, Batman's armor and cowl were pretty messed up, yet the next scene sees him entering the Batwing wearing a new and unscathed suit. The suit he was wearing to fight Superman was a literal suit of armor. In the following scenes, he is wearing a completely different suit. Which means that, yes, he did indeed change his suit. The armored suit was just for fighting Superman, otherwise it would have been like a child trying to hit a tank with his bare fists. <br>------------------------<br><br>At Superman's funeral, on the way to the grave and through the ceremony, the coffin has a black top with the silver "S" on it. Later the coffin top is simple brown wood with no "S." There are two services being held at the same time, one for Clark Kent in Smallville and one for Superman in Metropolis, each with a different coffin. <br>------------------------<br><br>Superman takes ten minutes to cross the bay from Gotham to Metropolis to confront Lex, a trip that would ordinarily take him seconds. But he is still weak from the kryptonite gas, and moving much slower than usual. This is also indicated by his landing being much less controlled than previously, and the slow speed with which he later flies in the Doomsday fight when carrying the spear. <br>------------------------<br><br>When Lex pushes Lois off Lexcorp tower there appears to be no way he could know that Superman would turn up in time. However, this is actually explained more than once. Superman states later in the film, before sacrificing himself, that Lois is his world. When she was in trouble on the other side of the planet he could detect her being in trouble (though it is not stated at the time how. Whilst fighting Doomsday he hears her heartbeat become erratic as she starts to drown. In other words, Superman keeps his overpowered senses from overwhelming him by concentrating on her heartbeat- she is literally his world. It would be inevitable that if her life was in danger that he would know that in an instant. <br>------------------------<br><br>Right after Luthor warns Superman that he's got less than one hour to save his mother, who was previously kidnapped and is held in an unknown location, we see Luthor's men place a timer on the table in front of Martha, counting backwards: however, the seconds displayed on the timer are running about twice as fast as they actually should. <br>------------------------<br><br>